AFTER THE GOLDRUSH			Neil Young, 1974 (#22)

WELL I DREAMED I SAW THE KNIGHTS IN ARMOUR COMIN'
   SAYIN' SOMETHING ABOUT A QUEEN
THERE WERE PEASANTS SINGING AND DRUMMERS DRUMMING
   AND THE ARCHER SPLIT THE TREE
THERE WAS A FANFARE BLOWING TO THE SUN
   THAT WAS FLOATING ON THE BREEZE
LOOK AT MOTHER NATURE ON THE RUN
   IN THE NINETEEN-SEVENTIES

I WAS LYING IN  A BURNED-OUT BASEMENT
   WITH A FULL MOON IN MY EYES
I WAS HOPING FOR A REPLACEMENT
   WHEN THE SUN BURST THROUGH THE SKIES
THERE WAS A BAND PLAYING IN MY HEAD
   AND I FELT LIKE GETTING HIGH
I WAS THINKING ABOUT WHAT A FRIEND HAD SAID
   I WAS HOPING IT WAS A LIE
THINKING ABOUT WHAT A FRIEND HAD SAID
   I WAS HOPING IT WAS A LIE

WELL I DREAMED I SAW THE SILVER SPACESHIPS FLYING
   IN THE YELLOW HAZE OF THE SUN
THERE WERE CHILDREN CRYING AND COLORS FLYING
   ALL AROUND THE CHOSE ONE
ALL IN A DREAM, ALL IN A DREAM THE LOADING HAD BEGUN
THEY WERE FLYING MOTHER NATURE'S SILVER SEED
   TO A NEW HOME IN THE SUN
FLYING MOTHER NATURE'S SILVER SEED
   TO A NEW HOME IN THE SUN

	(slow 2/4)

	1		4		1		4
	1		5		4		5
	6m		b7		6m		b7
	1		5		b7		4   (x2 on verse 2 & 3)


AMAZING GRACE

AMAZING GRACE HOW SWEET THE SOUND
THAT SAVED A WRETCH LIKE ME
I ONCE WAS LOST BUT NOW AM FOUND
WAS BLIND BUT NOW I SEE

'TWAS GRACE THAT TAUGHT MY HEART TO FEAR
AND GRACE MY FEAR RELIEVED
HOW PRECIOUS DID THAT GRACE APPEAR
THE HOUR I FIRST BELIEVED

WHEN WE'VE BEEN HERE TEN THOUSAND YEARS
BRIGHT SHINING AS THE SUN
WE'VE NO LESS DAYS TO SING GOD'S PRAISE
THAN WHEN WE FIRST BEGUN

 (3/4)    (optional chords in parentheses)
 
		1		1		4		1
		1		1 (6m) 	5 (2m) 	5
		1		1		4		1
		1 (6m) 	5		1 (4) 	1


AMERICA THE BEAUTIFUL

OH BEAUTIFUL FOR SPACIOUS SKIES
   FOR AMBER WAVES OF GRAIN
FOR PURPLE MOUNTAIN MAJESTIES
   ABOVE THE FRUITED PLAIN

CHORUS (after each verse):

AMERICA, AMERICA, GOD SHED HIS GRACE ON THEE
AND CROWNED THY GOOD WITH BROTHERHOOD
   FROM SEA TO SHINING SEA

OH BEAUTIFUL FOR PATRIOTS' DREAM
THAT SEES BEYOND THE YEAR
THINE ALABASTER CITIES GLEAM
UNDIMMED BY HUMAN TEARS

OH BEAUTIFUL FOR PILGRIM FEET
WHOSE STERN IMPASSIONED STRESS
A THOROUGHFARE FOR FREEDOM BEAT
ACROSS THE WILDERNESS

		(slow 4/4)

 VERSE	1	     5	     2m-5	     1-5
		1		5		5-27	     5

CHORUS	1		5		2m-5	     1
	     4		1		2m-5	     1


AND SO IT GOES			    P. Overstreet/D. Schlitz

A MANSION ON A HILL IS A LOVELY SIGHT TO SEE
BUT LIKE EVERY OTHER OTHER HOUSE IT'S ONLY TEMPORARY
HOME IS ANYWHERE YOU CHOOSE TO PUT YOUR HEART
IF THERE'S NO LOVE INSIDE IT WILL SOON FALL APART

CHORUS:

ASHES TO ASHES, DUST INTO DUST
1. BUILDINGS     2. HOUSES     3. KINGDOMS
   WILL CRUMBLE, BRIDGES WILL RUST
MOUNTAINS WILL DISAPPEAR, RIVERS WILL DRY UP
AND SO IT GOES WITH EVERYTHING BUT LOVE
(SO IT GOES...)  WITH EVERYTHING BUT LOVE (SO IT GOES...)

YOU CAN DRIVE AROUND IN A LONG LIMOUSINE
IF YOU DON'T KNOW WHERE YOU'RE GOIN' IT DON'T MEAN A THING
HE WHO'D WALK A MILE JUST TO HOLD AN EMPTY HAND
KNOWS WHAT IT MEANS TO BE A WEALTHY MAN   (chorus)

BRIDGE:

WORLDLY TREASURES WILL ALL PASS AWAY
THERE'S JUST ONE THING'S PUT HERE TO STAY  (chorus)

		(2/4)

 VERSE	1		1		4		1
		4		1		2m		5
		1		1		4		1
		4		1		2m		5

CHORUS	4		1		5		1
		4		1		2m		5
		4		1		1		4		4
		2m		5
		1		4		2m		5
		1		4		2m		5

BRIDGE	4-5		1		4-5		1
		4-5		6m		2m		5		5


ANNIE'S SONG					  John Denver, 1974 (#1) 

YOU FILL UP MY SENSES
LIKE A NIGHT IN THE FOREST
LIKE THE MOUNTAINS IN SPRINGTIME
LIKE A WALK IN THE RAIN
LIKE A STORM IN THE DESERT
LIKE A SLEEPY BLUE OCEAN
YOU FILL UP MY SENSES
COME FILL ME AGAIN

COME LET ME LOVE YOU
LET ME GIVE MY LIFE TO YOU
LET ME DROWN IN YOUR LAUGHTER
LET ME DIE IN YOUR ARMS
LET ME LAY DOWN BESIDE YOU
LET ME ALWAYS BE WITH YOU
COME LET ME LOVE YOU
COME LOVE ME AGAIN

	(3/4)

	4		5		6m		4
	1		3m		6m		5
	4		3m		2m		4
	5		5		5		5
	4		5		6m		4
	1		3m		6m		5
	4		3m		2m		5
	1		1sus	     1		1


THE BANANA BOAT SONG (DAY-O) 
The Tarriers (#4), Harry Belafonte (#5) 1957

CHORUS (after each verse):

DAY-O, DAY-O, DAYLIGHT COME AND ME WANT TO GO HOME
DAY-O, DAY-O, DAYLIGHT COME AND ME WANT TO GO HOME

COME MISTER TALLYMAN AND TALLY ME BANANAS
DAYLIGHT COME AND ME WANT TO GO HOME
ME SAY COME MISTER TALLYMAN AND TALLY ME BANANAS
DAYLIGHT COME AND ME WANT TO GO HOME

LIFT SIX FOOT, SEVEN FOOT, EIGHT FOOT BUNCH
DAYLIGHT COME AND ME WANT TO GO HOME
ME SAY SIX FOOT, SEVEN FOOT, EIGHT FOOT BUNCH
DAYLIGHT COME AND ME WANT TO GO HOME

A BEAUTIFUL BUNCH OF RIPE BANANA
DAYLIGHT COME AND ME WANT TO GO HOME
HIDE THE DEADLY BLACK TARANTULA
DAYLIGHT COME AND ME WANT TO GO HOME

CHORUS	1-3m	     4-1	     1		5-1
		1-3m	     4-1	     1		5-1

 VERSE	1		5		1		5-1
		1		5		1		5-1


BATTLE HYMN OF THE REPUBLIC

MINE EYES HAVE SEEN THE GLORY OF THE COMING OF THE LORD
HE IS TRAMPLING OUT THE VINTAGE
   WHERE THE GRAPES OF WRATH ARE STORED
HE HATH LOOSED THE FATEFUL LIGHTNING
   OF HIS TERRIBLE SWIFT SWORD
HIS TRUTH IS MARCHING ON

CHORUS (after each verse):

GLORY GLORY HALLELUJAH
GLORY GLORY HALLELUJAH
GLORY GLORY HALLELUJAH
HIS TRUTH IS MARCHING ON

IN THE BEAUTY OF AN EASTER CHRIST WAS BORN ACROSS THE SEA
WITH A GLORY IN HIS PRESENCE THAT TRANSFIGURES YOU AND ME
AS HE DIED TO MAKE US HOLY LET US LIVE TO MAKE MEN FREE
WHILE GOD IS MARCHING ON

GOD HAS SOUNDED FORTH THE TRUMPET
   THAT SHALL NEVER SOUND RETREAT
AND IS SIFTING OUT THE HEARTS OF ALL BEFORE THE MERCY SEAT
O MY SOUL GIVE TRUTHFUL ANSWERS AND BE JUBILANT MY FEET
OUR GOD IS MARCHING ON

	(2/4)

	1		1		1		1
	4		4		1		1
	1		1		1		6m
	2m		5		1		1


BOTH SIDES NOW				Judy Collins, 1968 (#8)
written by Joni Mitchell

BOWS AND FLOWS OF ANGEL HAIR AND ICE CREAM CASTLES IN THE AIR
AND FEATHER CANYONS EVERYWHERE, I'VE LOOKED AT CLOUDS THAT WAY
BUT NOW THEY ONLY BLOCK THE SUN, THEY RAIN AND SNOW ON EVERYONE
SO MANY THINGS I WOULD HAVE DONE BUT CLOUDS GOT IN MY WAY

CHORUS 1:

I'VE LOOKED AT CLOUDS FROM BOTH SIDES NOW
   FROM UP AND DOWN AND STILL SOMEHOW
IT'S CLOUDS ILLUSIONS I RECALL
   I REALLY DON'T KNOW CLOUDS AT ALL

MOONS AND JUNES AND FERRIS WHEELS, THE DIZZY DANCING WAY YOU FEEL
AS EVERY FAIRY TALE COMES REAL, I'VE LOOKED AT LOVE THAT WAY
BUT NOW IT'S JUST ANOTHER SHOW, YOU LEAVE 'EM LAUGHING WHEN YOU GO
AND IF YOU CARE DON'T LET THEM KNOW, DON'T GIVE YOURSELF AWAY

CHORUS 2:

I'VE LOOKED AT LOVE FROM BOTH SIDES NOW
   FROM GIVE AND TAKE AND STILL SOMEHOW
IT'S LOVE'S ILLUSIONS I RECALL
   I REALLY DON'T KNOW LOVE AT ALL

TEARS AND FEARS AND FEELING PROUD, TO SAY "I LOVE YOU" RIGHT OUT LOUD
DREAMS AND SCHEMES AND CIRCUS CROWDS, I'VE LOOKED AT LIFE THAT WAY
BUT NOW OLD FRIENDS ARE ACTING STRANGE
   THEY SHAKE THEIR HEADS, THEY SAY I'VE CHANGED
BUT SOMETHING'S LOST, BUT SOMETHING'S GAINED IN LIVING EVERY DAY

CHORUS 3:

I'VE LOOKED AT LIFE FROM BOTH SIDES NOW
   FROM WIN AND LOSE AND STILL SOMEHOW
IT'S LIFE'S ILLUSIONS I RECALL
   I REALLY DON'T KNOW LIFE AT ALL

 INTRO	1-4		1-4

 VERSE	1-4		1-4		1-3m	     4-1		1
		2m		2m		2m		5
		1-4		1-4		1-3m	     4-1		1
		2m		2m		2m		5

CHORUS	1-5		4-1		4-1		4-1
		4		1		2m		4		5


THE BOXER			  	   Simon & Garfunkel, 1969 (#7)

(1) I AM JUST A (1) POOR BOY THOUGH MY
(1) STORY'S SELDOM (6m) TOLD
I HAVE (5) SQUANDERED MY RE-(5)SISTANCE
FOR A (4) POCKETFUL OF (4) MUMBLES, SUCH ARE (1) PROMISES (1)
(1) ALL LIES AND (6m) JEST
STILL A (5) MAN HEARS WHAT HE (4) WANTS TO HEAR
AND (4) DISREGARDS THE (1) REST (5   5   1   1   1)
 
WHEN I (1) LEFT MY HOME AND MY (1) FAMILY
I WAS (1) NO MORE THAN A (6m) BOY
IN THE (5) COMPANY OF (5) STRANGERS
IN THE (4) QUIET OF A (4) RAILWAY STATION (1) RUNNING SCARED (1)
(1) LAYING (6m) LOW, SEEKING (5) OUT THE POORER
(4) QUARTERS WHERE THE (4) RAGGED PEOPLE (1) GO
LOOKING (5) FOR THE PLACES (4) ONLY THEY WOULD (1) KNOW (1)

CHORUS:

LIE-LA-(6m)LIE (6m)  LIE-LA-(5)LIE-LA-LIE-LA-(5)LIE
LIE-LA-(6m)LIE (6m)  LIE-LA-(4)LIE-LA-LA-LA-LA
(5)LIE-LA-LA-LA-LA-(1)LIE  (1  1  1)

ASKING (1) ONLY WORKMAN'S (1) WAGES I COME
(1) LOOKING FOR A (6m) JOB BUT I GET NO (5) OFFERS (5)
JUST A (4) COME-ON FROM THE (4) WHORES ON SEVENTH (1) AVENUE (1)
(1) I DO DE-(6m)CLARE, THERE WERE (5) TIMES WHEN I WAS
(4) SO LONESOME I (4) TOOK SOME COMFORT (1) THERE
OOO-LA-(5)LA   LA-LA-LA-(5)LA  (5  1  1)

THEN I'M (1) LAYING OUT MY (1) WINTER CLOTHES AND
(1) WISHING I WAS (6m) GONE, GOING (5) HOME (5)
WHERE THE (5) NEW YORK CITY (5) WINTERS AREN'T
(1) BLEEDING ME (1  1)  LEADING (3m) ME (6m 6m)
GOING (5) HOME (5  1  1)

IN THE (1) CLEARING STANDS A (1) BOXER AND A
(1)FIGHTER BY HIS (6m) TRADE
AND HE (5) CARRIES THE RE-(5)MINDERS
OF (4) EVERY GLOVE THAT (4) LAID HIM DOWN
OR (1) CUT HIM TILL HE (1) CRIED OUT IN 
HIS (1) ANGER AND HIS (6m) SHAME
I AM (5) LEAVING, I AM (4) LEAVING
BUT THE (4)FIGHTER STILL RE-(1)MAINS (5  4  1  1)
(chorus. . .)



CAT'S IN THE CRADLE			Harry Chapin, 1974 (#1)

MY CHILD ARRIVED JUST THE OTHER DAY
   HE CAME TO THE WORLD IN THE USUAL WAY
BUT THERE WERE PLANES TO CATCH AND BILLS TO PAY
   HE LEARNED TO WALK WHILE I WAS AWAY
AND HE WAS TALKIN' 'FORE I KNEW IT AND AS HE GREW HE'D SAY
"I'M GONNA BE LIKE YOU DAD, YOU KNOW I'M GONNA BE LIKE YOU"

CHORUS (after each verse):

AND THE CAT'S IN THE CRADLE AND THE SILVER SPOON
   LITTLE BOY BLUE AND THE MAN IN THE MOON
"WHEN YOU COMIN' HOME DAD"  "I DON'T KNOW WHEN BUT
WE'LL GET TOGETHER THEN,
   YOU KNOW WE'LL HAVE A GOOD TIME THEN"

MY SON TURNED TEN JUST THE OTHER DAY
   HE SAID "THANKS FOR THE BALL DAD, COME ON LET'S PLAY
CAN YOU TEACH ME TO THROW",  I SAID "NOT TODAY
   I GOT A LOT TO DO",  HE SAID "THAT'S OK"
AND HE WALKED AWAY BUT HIS SMILE NEVER DIMMED, HE SAID
"I'M GONNA BE LIKE HIM, YEAH
   YOU KNOW I'M GONNA BE LIKE HIM"

WELL HE CAME FROM COLLEGE JUST THE OTHER DAY
   SO MUCH LIKE A MAN I JUST HAD TO SAY
"SON, I'M PROUD OF YOU, CAN YOU SIT FOR AWHILE"
   HE SHOOK HIS HEAD AND SAID WITH A SMILE
"WHAT I'D REALLY LIKE, DAD, IS TO BORROW THE CAR KEYS
SEE YOU LATER, CAN I HAVE THEM PLEASE"

I'VE LONG SINCE RETIRED, MY SON'S MOVED AWAY
   I CALLED HIM UP JUST THE OTHER DAY
I SAID "I'D LIKE TO SEE YOU IF YOU DON'T MIND"
   HE SAID "I'D LOVE TO DAD, IF I CAN FIND THE TIME
YOU SEE MY NEW JOB'S A HASSLE AND THE KIDS HAVE THE FLU
BUT IT'S SURE NICE TALKIN' TO YOU, DAD
   IT'S SURE BEEN NICE TALKIN' TO YOU"
AND AS I HUNG UP THE PHONE IT OCCURRED TO ME
HE'D GROWN UP JUST LIKE ME, MY BOY WAS JUST LIKE ME

FINAL CHORUS:

AND THE CAT'S IN THE CRADLE AND THE SILVER SPOON
   LITTLE BOY BLUE AND THE MAN IN THE MOON
"WHEN YOU COMIN' HOME SON?"--"I DON'T KNOW WHEN"
"BUT WE'LL GET TOGETHER THEN, DAD
   WE'RE GONNA HAVE A GOOD TIME THEN"

   VERSE	    1		b3		4		1
		    1		b3		4		1
		   b7		5m
(1st & 2nd end)b3-5m	     1		b3-5m	1		1
   (3rd end)   b3-5m	     1		1
   (4th end)   b3-5m	     1		b3-5m	1		1
		   b7		5m
		   b3-5m	     1		b3-5m	1		1

   CHORUS	    1		b7		b3		4
		    1		b7
		   b3-5m	     1		b3-5m	1		1


CATCH THE WIND				     Donovan, 1965 (#23)

IN THE CHILLY HOURS AND MINUTES
OF UNCERTAINTY I WANT TO BE
IN THE WARM HOLD OF YOUR L0VIN' MIND
TO FEEL YOU ALL AROUND ME
AND TO TAKE YOUR HAND ALONG THE SAND
AH BUT I MAY AS WELL TRY AND CATCH THE WIND

WHEN SUNDOWN PALES THE SKY
I WANT TO HIDE AWHILE BEHIND YOUR SMILE
AND EVERYWHERE I'D LOOK YOUR EYES I'D FIND
FOR ME TO LOVE YOU NOW WOULD BE
THE SWEETEST THING, 'TWOULD MAKE ME SING
AH BUT I MAY AS WELL TRY AND CATCH THE WIND

(interlude)

WHEN RAIN HAS HUNG THE LEAVES WITH TEARS
I WANT YOU NEAR TO KILL MY FEARS
TO HELP ME TO LEAVE ALL MY BLUES BEHIND
STANDIN' IN YOUR HEART IS WHERE
I WANT TO BE AND LONG TO BE
AH BUT I MAY AS WELL TRY AND CATCH THE WIND

	      (fast 3/4)

		1		1		4		4
		1		1		4		4
		1		1		4		5
		1		1		5		5
		1		1		4		4
		1		1		4		4
		1		1		4		5
		1		4		1		5

interlude	4		4		3m		3m
		5		5		5		5
		4		4		3m		5
		1		4		1		5


CITY OF NEW ORLEANS

RIDIN' ON THE CITY OF NEW ORLEANS
ILLINOIS CENTRAL, MONDAY MORNIN' RAIL
FIFTEEN CARS AND FIFTEEN RESTLESS RIDERS
THREE CONDUCTORS AND TWENTY-FIVE SACKS OF MAIL
ALL ALONG THE SOUTHBOUND ODYSSEY
   THE TRAIN PULLS OUT OF KANKAKEE
AND ROLLS ALONG THE HOUSES, FARMS, AND FIELDS
PASSIN' TOWNS THAT HAVE NO NAME
   AND FREIGHT YARDS FULL OF OLD BLACK MEN
AND THE GRAVEYARDS OF RUSTED AUTOMOBILES

CHORUS (after each verse):

GOOD MORNIN' AMERICA, HOW ARE YOU
SAY, DON'T YOU KNOW ME, I'M YOUR NATIVE SON
I'M THE TRAIN THEY CALL THE CITY OF NEW ORLEANS
I'LL BE GONE FIVE HUNDRED MILES WHEN THE DAY IS DONE

DEALIN' CARD GAMES WITH THE OLD MEN IN THE CLUB CAR
PENNY A POINT--AIN'T NO ONE KEEPIN' SCORE
PASS THE PAPER BAG THAT HOLDS THE BOTTLE
FEEL THE WHEELS GRUMBLIN' 'NEATH THE FLOOR
AND THE SONS OF PULLMAN PORTERS AND THE SONS OF ENGINEERS
RIDE THEIR FATHER'S MAGIC CARPET MADE OF STEEL
MOTHERS WITH THEIR BABES ASLEEP ARE ROCKIN' TO THE GENTLE BEAT
AND THE RHYTHM OF THE RAILS IS ALL THEY FEEL

NIGHT TIME ON THE CITY OF NEW ORLEANS
CHANGIN' CARS IN MEMPHIS TENNESSEE
HALFWAY HOME, WE'LL BE THERE BY MORNIN'
THROUGH THE MISSISSIPPI DARKNESS ROLLIN' DOWN TO THE SEA
BUT ALL THE TOWNS AND PEOPLE SEEM TO FADE INTO A BAD DREAM
AND THE STEEL RAIL STILL AIN'T HEARD THE NEWS
THE CONDUCTOR SINGS HIS SONGS AGAIN
   THE PASSENGERS WILL PLEASE REFRAIN
THIS TRAIN'S GOT THE DISAPPEARIN' RAILROAD BLUES

 VERSE   	1		5		1		1
		6m		4		1		1
		1		5		1		1
		6m		5		1		1
		6m		6m		3m		3m
		5		5		2		2
		6m		6m		3m		3m
		4		5		1		1

CHORUS	4		5		1		1
		6m		4		1		5
		1		5		6m		2
		b7-4		1-5		1		1

		
CLEMENTINE

IN A CAVERN IN A CANYON EXCAVATING FOR A MINE
DWELT A MINER, FORTY-NINER AND HIS DAUGHTER, CLEMENTINE

CHORUS (after each verse):

OH MY DARLING, OH MY DARLING, OH MY DARLING CLEMENTINE
THOU ART LOST AND GONE FOREVER, DREADFUL SORRY CLEMTINE

LIGHT SHE WAS AND LIKE A FAIRY AND HER SHOES WERE NUMBER NINE
HERRING BOXES WITHOUT TOPSES, SANDALS WERE FOR CLEMENTINE

DROVE THE DUCKLINGS TO THE WATER EVERY MORNING JUST AT NINE
HIT HER FOOT AGAINST A SPLINTER, FELL INTO THE FOAMING BRINE

RUBY LIPS ABOVE THE WATER BLOWING BUBBLES SOFT AND FINE
BUT ALAS, I WAS NO SWIMMER SO I LOST MY CLEMENTINE

	(3/4)

	1		1		1		5
	5		1		5		1